Sorry about that last email ~ the video can't be seen in the email. I'm not sure what went wrong. If you will click on the title of the post your browser will redirect to the actual blog, where you can see the video. Or, better yet, click on the link below!
http://www.youtube.com/watch?v=cpkuCXSZNNs
Monday, September 20, 2010
Sunday, September 19, 2010
PAINTING DEMONSTRATION
This is an excellent and interesting painting demonstration by Zhaoming Wu. Notice how he begins the painting, in particular, with the "envelope" to the "block-in" to the development of the painting beginning with massing in major shapes representing shadows and light.
Wednesday, September 15, 2010
TUESDAY CLASS ~ STILL LIFE PROGRESSION
Diana's drawing and under painting beginnings |
Melodie's under painting ~ ready for the last stage ~ opaque paint |
Valarie's drawing and under painting beginnings |
Thursday, September 9, 2010
TUESDAY ATELIER STUDENT WORK - Most Excellent!
SATURDAY ATELIER STUDENT WORK
We are working on our final piece for the Saturday Atelier. This is a 6 week long pose. Starting with a good drawing, moving into the color-wash and finally, the opaque painting. We have an excellent model and we're getting some outstanding drawings. It's going to be exciting to see the end result!
Connie's drawing |
Ashley's drawing |
Bettina's drawing |
Lani's drawing |
Linda's drawing |
Leslie's drawing and color-wash beginnings |
Mimi's drawing |
Ella's drawing |
Paula's drawing |
Roger's drawing |
Friday, August 20, 2010
PASTEL DRAWING WORKSHOP
I've been teaching a pastel drawing class at the Fine Arts Institute for the last few weeks (it's a 6 week class). The artists in the class are doing outstanding work. Here are some of the pieces they have produced so far. Well done!
By Lani Pounders
By Lani Pounders
By Ashley Pool
By Caleb Mild
Lani working
By Ashley Pool
Caleb working
By Caleb Mild
By Sylvia Miller
Thursday, August 19, 2010
COLOR STRINGS
TINA MCGINNIS
practiced making tints and shades of the three primary colors, three secondary colors and the tertiary colors. These color strings are very well done with watercolor. Mixing a range of tints and shades of all the hues in the spectrum is a wonderful practice. You'll learn a great deal about color mixing. Doing these studies will not replace your study of color from the live subject, but it will help to make you more familiar with your palette and the way colors interact with eachother.
Primary Colors
Secondary Colors
Three of the tertiary colors
VALUE POSTERS
Some value poster studies from the Saturday class
By Ashley Pool
By Carol Hammontree
By Mimi Mason
By Linda Bebee
Wednesday, August 18, 2010
FINALLY... a new post!
I haven't posted the student work for some time now, so I do apologize for the delay! We're into our 8th week for both the beginning class on Tuesday evenings and for the Advanced Saturday class where we are studying the figure. Everyone is working very hard and it shows! Here are a few images of both classes.
Saturday Figure Drawing and Painting - Drawing
By Ella Moore
By Shireen Boddy
By Mimi Mason
Tuesday Drawing & Painting the Still Life - Color Poster Study
By Susan McCallum
By Valarie Naifeh
By Melodie Wheeler
Thursday, July 22, 2010
ATELIER Student Exhibit Reception
Our reception was a great success! Thank you to all who brought refreshments and to all who attended. Your work looks exceptional on our gallery walls. Thank you for sharing. And thanks to Roger Lawrence for the photos below.
Shireen Boddy
Jim Lyon
Sharon Mantor
Greg Womack
The crowd
Ella Moore
Leilani Pounders
Connie Rish
Wednesday, June 30, 2010
COLOR WORKSHOP with Dan Robinson
Dan's workshops fill up quickly so reserve your space early!
You may contact Dan directly via email at drpaintings@mac.com or contact me for more information at llienau@mac.com.
Monday, June 28, 2010
CHRISTY BOURQUE DRAWING
Christy Bourque
Original Digital Drawing
Christy has been working hard and recently completed this drawing
using
Wacom Intuos4 Digitiser Tablet
and Photoshop CS3.
Very nice Christy! Thanks for sharing with us.
Friday, May 21, 2010
CLIMBING ROCKS
My 21 year old son is a rock climber. He took up climbing several years ago and has become quite good at the sport. I have to admit, I am a little bit frightened by his choice to place himself on a vertical expanse far above the ground. Actually, I don't like to think about it at all.
My son is staying with me and his younger brother until he finds new transportation (his car was demolished during the hail storm in Oklahoma City last Sunday). Among his things left lying around the house, I found a book he is reading. It is entitled, "The Rock Warrior's Way, Mental Training for Climbers", by Arno Ilgner. I sat down to read a few pages of the book and was absolutely hooked in. I found so many correlations between the sport of rock climbing, living life and being an artist. I was especially taken by this quote from the book, "Regardless of the source of the Ego's expectations, the result is the same: we are slaves to externally derived influences, rather than being the masters of our internal mental environments."
What struck me about these words is that, as artists, especially when we are just learning how to do something new, we struggle with outside opinions and criticism. We struggle with negative judgments and criticism from our own conscience and unconscious thoughts and opinions about ourselves. But I think more so, we worry about what others are going to think about what we have produced. Being in a classroom, learning new ideas, skills and concepts is very intimidating. It reminds me of what it must be like to climb a rock. Very scary.
I am very proud of my son. He has, at a young age, decided to face incredible fears and is adventuring through life. I am inspired by him and his willingness to travel to new "heights", not only with his climbing, but with his entire existence. I am motivated to face the fears I have about being a painter and want to adventure through the process to try to produce work that I love - that which comes from inside of me and to "master my internal mental environment."
Thanks to all of you who entrusted a part of your artistic education to me. It has been an incredible experience to see what all of you produced during the FIRST "Atelier". I can't wait for the next one to begin and to climb those very tall rocks with you. ~Leslie
My son is staying with me and his younger brother until he finds new transportation (his car was demolished during the hail storm in Oklahoma City last Sunday). Among his things left lying around the house, I found a book he is reading. It is entitled, "The Rock Warrior's Way, Mental Training for Climbers", by Arno Ilgner. I sat down to read a few pages of the book and was absolutely hooked in. I found so many correlations between the sport of rock climbing, living life and being an artist. I was especially taken by this quote from the book, "Regardless of the source of the Ego's expectations, the result is the same: we are slaves to externally derived influences, rather than being the masters of our internal mental environments."
What struck me about these words is that, as artists, especially when we are just learning how to do something new, we struggle with outside opinions and criticism. We struggle with negative judgments and criticism from our own conscience and unconscious thoughts and opinions about ourselves. But I think more so, we worry about what others are going to think about what we have produced. Being in a classroom, learning new ideas, skills and concepts is very intimidating. It reminds me of what it must be like to climb a rock. Very scary.
I am very proud of my son. He has, at a young age, decided to face incredible fears and is adventuring through life. I am inspired by him and his willingness to travel to new "heights", not only with his climbing, but with his entire existence. I am motivated to face the fears I have about being a painter and want to adventure through the process to try to produce work that I love - that which comes from inside of me and to "master my internal mental environment."
Thanks to all of you who entrusted a part of your artistic education to me. It has been an incredible experience to see what all of you produced during the FIRST "Atelier". I can't wait for the next one to begin and to climb those very tall rocks with you. ~Leslie
Remember... we're having a party to celebrate your success!
Marc and Elaine Weinmeister
1913 Chaparral
Edmond
Sunday, May 23rd @ 2:00
I am looking forward to seeing you!
Thursday, May 13, 2010
Atelier Soiree
We're having a party to celebrate your success!
Please, do let me know if you plan to join us at the home of
Marc and Elaine Weinmeister
1913 Chaparral
Edmond
Sunday, May 23rd @ 2:00
RSVP by May 21
See you there!
AFTERNOON ATELIER Student Work
We had our last class last Saturday! I am very pleased with and proud of you for your hard work and magnificent paintings! Here are a few from the afternoon class. Carol is sending me her latest group from the morning class and I'll post them soon. Thanks to all of you! I really enjoyed working with you. And I am looking very forward to the next phase - the figure.
Jim Lyon, Lemon
Roger Lawrence... His palette (left), his under-painting and the form, turning
Christy Bourque's under-painting
Ella Moore's Pear & Bag
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